The Mexican Cinema: Interviews with Thirteen Directors

Evidence-informed health policy 3 – Interviews with the directors of organizations that support the use of research evidence

BACKGROUND Only a small number of previous efforts to describe the experiences of organizations that produce clinical practice guidelines (CPGs), undertake health technology assessments (HTAs), or directly support the use of research evidence in developing health policy (i.e., government support units, or GSUs) have relied on interviews and then only with HTA agencies. Interviews offer the pote...

critical discourse analysis of national identity in post-revolutionary mexican cinema, based on the film “hell”

cinema as a cultural industry, is the promoter of identity, memory, dreams and collective projects. mexico has introduced its collective identity to the world, using this industry. examining the application of this industry in mexican cinema can be considered an important step for improving the country’s cinema. approaches to the origins of modern nations consider culture as a fundamental const...

War, Peace, and Cinema: Excerpts from the Foreign Policy of the USA with a Look at Stanley Kubrick’s Cinema

The notion of peace, regardless of theorizations accepted in th field and since the                  Enlightenment Period, and the era known as Modernism, has, constantly, been one of the challenges of mankind, and also scientists in the field of political sciences and international relations.  Contrary to the presentation of the idea of peace and respect to the human rights in some of the fore...

Early cinema, late cinema: permutations of the public sphere

There tends to be a moment in the development of cultural practices when discourses of the recent past become history; they are no longer just outdated but, like bell-bottom jeans, mini-skirts and platform shoes, acquire historicity. This is what seems to have happened with film theory of the 1970s and early 1980s, particularly as it revolved around the notion of 'the spectator'. I am thinking ...

Development of the Cinema